863
8.0

网络惊魂

导演:
艾文·温克勒
主演:
桑德拉·布洛克,杰瑞米·诺森,丹尼斯·米勒,黛安·贝克,Wendy Gazelle,肯·霍华德,雷·迈克金农,Daniel Schorr,L·斯科特·卡德维尔,罗伯特·格赛特,Kristina Krofft,Juan Garcia,托尼·佩雷斯,Margo Winkler,Gene Kirkwood,克里斯托弗·达尔加,查尔斯·温克勒,Rick Snyder,杰拉尔德·伯恩斯,沃恩·阿姆斯特朗,恩·T·布朗,Israel Juarbe,朱莉娅·维拉,Kerry Kilbride,露西·巴特勒,约翰·李文斯
别名:
未知
8.0
863人评分
英语
语言
未知
上映时间
未知
片长
简介:
安吉拉(桑德拉·布洛克 Sandra Bullock 饰)是一个与世隔绝的程序员,电脑是她的好帮手也是好朋友,她的大部分生活都围绕着电脑有条不紊的进行着。一次偶然中,安吉拉收到了同事寄来的一张磁盘
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更新时间:06月29日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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