鲛人传说之人间情

简介：影片讲述不擅长与人交往、经常偷偷看BL漫画的17岁女高中生佐山丽(芦田 饰)，与丈夫去世后独自生活、同样爱好BL题材的75岁老妇人市井野雪(宫本 饰)，两个兴趣相投的人之间建立的一段忘年交。

简介：尹敏哲（朴海日 饰）是一名资深的电视台节目导演，在普通的寻找新闻素材中他意外发现了一家大型医疗企业也涉及其中，于是他带着女下属（金星 饰）开始调查真相。令人意外的是，生物技术权威的李章焕博士（李璟荣 饰）竟然涉嫌造假干细胞，但无奈的是他们没有准确的证据，就在这时，正义的举报者——博士团队的研究员沈敏浩（柳演锡 饰）出现了，他瞒着妻子（柳贤静 饰）和家人艰难地举报了造假者。沈敏浩的坚持让尹敏哲更加地坚定，与此同时李章焕采取了一系列非正义的手段来阻止他们的新闻报道，真相和国家权益的抗争一触即发。　　本片改编自轰动韩国的2006年韩国克隆之父黄禹锡博士干细胞造假风波。

简介：《白色通行证》改编自内拉·拉森于 1929 年撰写的著名同名小说，围绕两位黑人女性艾琳·雷德菲尔德（泰莎·汤普森饰）和克莱尔·肯德里（荣获奥斯卡金像奖提名的鲁丝·内伽饰）展开叙述，在 20 世纪 20 年代末纽约哈莱姆文艺复兴的鼎盛时期，她俩都可以冒充白人，却选择生活在以肤色为界的两个世界里。一个夏日午后，两名童年好友偶然再会，艾琳不情愿地让克莱尔登门拜访，结果克莱尔讨好起艾琳的丈夫（安德烈·霍兰饰）和家人，之后更打入她交游甚广的社交圈子。随着两人的生活更紧密地交织在一起，艾琳发现自己曾经稳定的生活开始因克莱尔的出现而天翻地覆。《白色通行证》是一部引人入胜的电影，审视了人性的痴迷和压抑。为了保护自己精心构筑的现实，人们可以对自己和他人说什么谎？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：一家人面对13岁的贝尔蒂尔（Bertille）未确诊的病症时陷入挣扎。姐姐玛丽昂（Marion）在一段感情中找到慰藉。新的诊断改变了他们的未来，为贝尔蒂尔和她的家人带来了希望和继续前行的可能性。

简介：在神秘旅客的勒索之下，年轻的运输安全管理局员工让一个危险的包裹登上了平安夜的航班，他必须与这个神秘人斗智斗勇。

简介：樱花飞舞的都立瑞泽高中，迎来了热爱花牌的女孩绫濑千早（广濑丝丝 饰）。小学时代，千早受转学生绵谷新（真剑佑 饰）的影响接触了花牌竞技，从此便一发不可收拾。进入高中后，她重逢了当年与她、绵谷一同参加比赛的真岛太一（野村周平 饰），于是两人联手创立了竞技花牌部。除她们二人外，还有大江奏（上白石萌音 饰）、西田优征（矢本悠马 饰）、驹野勉（森永悠希 饰）等成员参加。大家通力合作，一步步朝着全国大赛的目标前进，然而挡在他们前方的，则是有着悠久竞技花牌历史的名门学校北央学园，强大的对手毫不留情对这支成立不久的战队进行了碾压。在此期间，千早得到了绵谷的消息，她满心欢喜，期待这位与久别的好友再度走上竞技花牌的赛场……　　本片根据末次由纪的同名漫画改编。

简介：党首哥顿（柯受良）连同数名不同背景的贼党策划了连环洗劫金行大买卖。行动当日，警方以李Sir（李修贤）为首与匪徒发生激烈枪战，械劫兵团四处逃窜，其中阿虎与阿龙一同杀出重围，而其他党羽却死在警方乱枪之下。老鼠怀疑阿龙是警方卧底，与阿龙发生激烈冲突，阿虎一力保着阿龙，拿出手枪互相恐吓，幸在最后关头豺狼突然出现，平息了两人风波。豺狼准备烧死劫回来的女子之际，阿龙开枪射杀豺狼，哥顿正要一枪将阿龙解决之时，警方开始了围攻行动。影片主要叙述的是黑社会中体现英雄形象的故事，在大哥哥顿的影响下，其手下都是嫉恶如仇的形象，但同时也有英雄的气概，并不像一般的黑社会那样缺乏英雄的气概。

简介：电影是一段围绕着两兄弟的故事。哥哥文光（庄仲维 饰）个性敏感，无法专注集中，更不善与人交际。尽管如此，弟弟（张顺源 饰）一直设法帮助文光找到工作。然而，文光屡次搞砸面试，闯祸惹麻烦，弟弟气愤又无奈。直到有一天，弟弟听到哥哥房间传来的音乐声，才意识到哥哥的音乐天赋一直默默闪耀着。

简介：雖然年逾四十，但仍保有個人魅力的朱紹忠〈謝祖武飾〉，　　依舊受到女學生的崇拜，　　但他始終沒有越界，　　在死黨郝建新〈那維勳飾〉、詹柏園〈狄志杰飾〉眼中，　　朱紹忠是個從不折不扣的妻管嚴，　　今年是他跟妻子沈孟芝〈蔡淑臻飾〉結婚的第九年，　　所有的一切都像是理所當然，　　這些年來，他們依然親吻、擁抱、做愛，　　但卻不全然是因為愛，　　重疊的部分，　　似乎只稱得上是住在同一屋簷下的室友。　　就在此時，樓下搬來了一對母女，　　這個叫李琪琪〈陳語安飾〉的小女生，　　無意闖入了朱紹忠的生命裡，　　她所有叛逆瘋狂的行為，　　都在挑逗著朱紹忠的每一根神經，　　而另一邊，為了遊說朱姓夫婦賣掉公寓，　　房仲游輝凱〈邱昊奇飾〉三番兩次的來訪，　　隨著交集漸多，　　他發現沈孟芝跟他所遇過的女人不盡相同，　　一種特殊情愫發酵，　　同時間，朱紹忠也展開一段他從未體驗過的激情，　　這對貌合神離、激情不再的夫妻，　　當再度遇見愛情，　　究竟會叛逆一次？　　還是緊守住原有的幸福？

简介：孤独的科学怪人弗兰肯斯坦（克里斯蒂安·贝尔 饰）来到了1930年代的芝加哥，恳请顶级科学家尤弗洛尼斯博士（安妮特·贝宁 饰）为他创造一位伴侣。两人成功复活了一名被谋杀的年轻女子，“新娘”（杰西·巴克利 饰）就此诞生。然而事态发展却远超两人想象：谋杀接踵而至，占有欲疯狂滋生，新娘能否挣脱“被创造”的命运？在暗黑混沌的逃亡路上，一场女性觉醒风暴开始席卷整个世界。

简介：79岁的西班牙女子玛丽亚·安赫莱斯独自生活在摩洛哥的丹吉尔，享受着自己的日常生活。然而，当她女儿从马德里赶来，想要卖掉她一直居住的公寓时，她的生活彻底被打乱了。决心留下来的她，竭尽所能想要夺回自己的家与财物，却意外重拾了爱情与感官的愉悦。