小逃亡者

简介：顾婷婷（张瑜 饰）是在丝绸厂工作的女工，一天，她意外的得知自己的姑妈在去世之后将遗产留给了自己，就在顾婷婷准备继承遗产之际，顾婷婷的表姐（崔明月 饰）出现了，她将表妹告上了法庭，认为这份遗产应该属于自己。　　向萍（谢芳 饰）是负责审理这起案件的法官，为了了解实施情况，向萍找到了顾婷婷，几经盘问之后，顾婷婷终于决定说出真相。原来，顾婷婷自幼失去了父母，沦为孤儿，善良的姑妈收养了她。然而，在之后的文化大革命中，姑妈不幸逝世，表姐不愿意承担起抚养顾婷婷的责任，将她送回了老家。

简介：美国石油巨头Connex公司准备与一家获得哈萨克斯坦石油开采权的小公司Killen合并，并就开采权向海湾某石油国家的年轻王子纳西尔（亚历山大•希德迪格 Alexander Siddig 饰）施加压力。瑞士日内瓦某能源咨询公司的研究员布莱恩•伍德曼（马特•达蒙 Matt Damon 饰）代表公司参加了纳西尔王子在西班牙马贝拉行宫的聚会，后成为纳西尔王子的经济顾问。但美国政府却支持纳西尔王子腐败无才的弟弟继承王位，并派出CIA特工鲍勃（乔治•克鲁尼 George Clooney 饰）前往黎巴嫩实施刺杀纳西尔王子的计划。与此同时，华盛顿一家律师事务所派班尼特（杰弗里•莱特 Jeffery Wright 饰）对Connex-Killen合并事宜进行事前调查……　　本片获奥斯卡、金球奖和英国电影电视协会最佳男配角奖（乔治•克鲁尼），并获奥斯卡奖最佳原创剧本和金球奖最佳电影音乐提名。

简介：莱拉（凯丽•拉塞尔 Keri Russell 饰），一个出色的大提琴手；路易斯（乔纳森•莱斯•梅耶斯 Jonathan Rhys Meyers 饰），一名流浪的爱尔兰歌手。一个月色迷离的晚上，两人相遇了。度过难忘的一晚后，莱拉那专横的父亲又强逼她继续踏上音乐会的旅程。路易斯因等不到恋人失望之下离开了；而莱拉发觉爱人走后，独自伤心的等待肚中的孩子出生。岂料几个月后莱拉遭遇了一场车祸，宝宝亦随之夭折。孰料，莱拉的宝宝其实并没有死，而是被她狠心的父亲送到了孤儿院。一晃眼10多年过去了，生活在孤儿院的少年奥古斯特（弗莱迪•海默 Freddie Highmore 饰）坚信自己的父母还在世上，于是踏上了漫漫寻亲路。

简介：本片用一个香港警察从理想青年变成一代枭雄的过程，反应了香港五六十年代的社会问题。　　1949年，热血青年雷洛（刘德华 饰）成为警察。当时，香港警察待遇不高，警察向商户们收取保护费的潜规则蔚然成风，雷洛不愿意和他们同流合污，受到同事们的排挤，也得罪了权倾一时的探长颜同（秦沛 饰），面临停职的危险，然而，探长陈统(关海山 饰)暗暗欣赏他，对他维护有加。　　雷洛和杂货店老板的女儿阿霞（邱淑贞 饰）两情相悦，但是阿霞的父母不愿意女儿跟着他受苦，百般阻挠。雷洛借酒浇愁，到黑社会的赌场闹事，被人殴打，多亏探长陈统搭救，并帮他筹到了五万元的聘礼。　　但是，1951年九龙东头村的大火，烧毁了雷洛的美梦。雷洛一家侥幸逃脱，阿霞家人却葬身火海，阿霞本人也音信全无。　　转眼到了50年代末，雷洛经历了警队派系倾轧，几经浮沉，渐渐适应了香港警界，收保护费的事情也做得得心应手。他有幸娶到了“大捞家”白饭鱼的女儿，美丽泼辣白月娥（张敏 饰），靠着岳父的大力支持和自己在镇压1957年九龙暴动中的出色表现，荣升探长。　　成为探长的雷诺规范了管区内收取保护费的制度，减少了各界冲突，深得上级的器重。恰逢油尖区探长退休，雷洛和颜同都成为了这个职位的有力竞争者，二人各自展开了行动，一时风起云涌，此时，雷洛意外遇见了一个人，让他震惊不已……

简介：北极圈内小镇，少年卢克发现因熊妈妈被抓回北极野外而在自家仓库偷吃东西的萌熊熊小佩左。如果小熊被发现，就会被送到动物园供人参观。勇敢的卢克决心送这个小吃货回到妈妈身边，只身一人带着小熊穿越千里融冰，开启了极地生存游戏，掉入冰窟，遭遇百年一遇的暴风雪，又有居心叵测的猎人追击，少年和小熊能否平安到达熊妈妈身边？

简介：艾纳（罗伯特·雷德福 Robert Redford 饰）拥有一段伤感的过去，车祸夺走了儿子格里芬（Trevor Moss 饰）的性命，而这车祸的始作俑者不是别人，正是自己的儿媳简（詹妮弗·洛佩兹 Jennifer Lopez 饰）。愤怒的艾纳无法原谅简的过失，无奈之下，简只得带着腹中的胎儿远走高飞。　　如今的艾纳生活在怀俄明牧场里，除了放牧，他还担负起了照顾被熊所伤的老朋友米特（摩根·弗里曼 Morgan Freeman 饰）饮食起居的责任。曾经的悲伤未曾消逝，但一对老友相互扶持，生活倒也宁静祥和。琼的再度到来打破了这难得的宁静，同时到来的，还有11岁的艾纳的孙女格瑞芙（Becca Gardner 饰）。出于同情，艾纳收留了母女两，但往日的冤仇并未完全化解。同时，导致米特受伤的灰熊被捉拿归案等待处置。面对曾经的仇恨，两个老人会做出怎样的选择？

简介：Vova and his best friend Kisa make ends meet by working for the local thug in Vladivostock, Russia until one assignment forces them to question their own morality and puts their friendship to the ultimate test.

简介：消防员与医生，两种不同的职业，性质却是一样的，都是救人于水火之中。但同样的，身处这两种职业的人们也需要被治愈，需要创口贴来愈合伤口。　　作为消防员的姜一（高修 饰）整日穿梭于大街小巷，拯救他人生命，可却挽救不了妻子的生命；大大咧咧，看似没心没肺的女医生美秀（韩孝珠 饰）内心却因为一次医疗事故而封闭了自己。二位满身伤口的人相遇于一次救助行动，美秀被姜一所吸引，大胆展开了追求，熊熊烈火，冰山也会渐渐融化。每日都与死亡打交道，但也见证生命的力量和奇迹的诞生，让二人更加体会到生存的意义和眼前人的珍贵，在一来一往中，互相抚慰了内心的伤痛，成为了彼此伤口的创口贴。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：该片讲述了85岁高龄的林女士(金英玉 饰)夹在扮演着孝子的儿子(金永敏 饰)和如家人般的疗养护工(朴成妍 饰)之间的故事。聚焦“像外人的家人”和“像家人的外人”，讨论了是因为家人而一起生活还是因为一起生活而是家人的现实问题。

简介：阿贤、阿乐（徐天佑 饰）和阿星（关楚耀 饰）曾经是形影不离的死党，然而命运让他们分离，相互之前了无音信。一转眼二十年过去，曾经的单纯男孩如今都已经成长为了能够独当一面的真男人，当他们在社交网络上重新获得彼此的讯息因而再聚首之时，会发生怎样有趣的故事呢？　　阿贤爱上了一名有夫之妇，深陷在情欲的海洋之中无法自拔。阿乐只是一介平凡的讲师，郁郁寡欢的母亲去世之后，他迫切的想要见到在幼年时代抛弃他们母子两人的父亲，因此踏上了漫漫寻亲之路。阿星自小家贫，如今成为理发师的他于偶然之中结识了一位富豪太太，在她的身上，阿星似乎看到了出人头地的希望。

简介：影片多面展现了美国第一位黑人副警长拜斯·里弗斯的传奇故事。在他漫长的危险职业生涯中，他曾逮捕超过3000名罪犯。