有完没完

简介：故事发生在1900年，美国人马修是一个神枪手，为了一则招募神枪手的广告他跋涉了三个月来到澳大利亚，途中还顺便解救了一位把他错认为是男友的姑娘“疯狂”考娜。他们来到了马斯顿农场，却发现农场主马斯顿的雇佣他的目的是要让他射杀当地的土著人。愤怒的马修把马斯顿扔出房间，却被农场的打手们打的不省人事。然后又和考娜一起被扔到丛林中让他们自生自灭。二人被土著人救起。但得知了消息的马斯顿随即高价悬赏马休的人头，并派出手下追杀他们。面对马斯顿的嚣张和土著人的善良，认真起来的马修和考娜二人的报复同样冷酷而残忍。

简介：南北战争时期，马萨诸塞州的康科德城。　　马其家是镇上一个普通家庭，父亲在外打仗，留下坚强的妻子和四个女儿。Meg十六岁，俨然一个窈窕淑女。Jo（薇瑞娜•赖德）十五岁，喜爱写作，发表的文章为家里付清了各种费用。Beth温柔乖巧，羞怯地爱好着钢琴。Amy最小也最漂亮，也有点 爱出风头。马其太太的坚强给了四个女儿力量，她们时常接济贫穷的居民，圣诞节也不例外。当她们的邻居劳伦斯先生听说此事后便准备了丰富的晚餐给这群可爱的小妇人们。　　而劳伦斯的孙子劳里也跟Jo成为了好朋友，成为了马其家的一员。他的家庭教师约翰爱上了Meg，Beth在照顾生病的邻居孩子时感染上了猩红热，在最危险的时候，去华盛顿照顾受伤父亲的妈妈回来了，把父亲也带回来，他们一家团聚。　　四年后，Meg和约翰终于喜结连理，大学毕业的劳里也向Jo求婚，却惨遭拒绝，打击太大的他愤而离家，辗转欧洲，偶遇在欧洲旅游的Amy，此时的Amy早已改掉了虚荣的毛病，她对劳里的关切打动了劳里的心，他们决定结婚。然而此时却传来了Beth病危的消息，还没赶到家Beth已经离开了大家。　　心灰意冷的Jo去了纽约，认识了她生命中的真命天子。

简介：主人公刘阳为结婚欠下高利贷，被逼还债把房子抵押给银行，而被妻子离婚，换上抑郁症，失去爱人和房子的他在街头流浪时发生车祸，进入另一个世界，莫名其妙被一个黑衣人追杀...

简介：어린시절부터 폭력을 휘두르며 불우하게 성장한 진욱은 역시 외로운 처지의 혜진을 만나 새 삶을 찾아 행복한 가정을 꾸려나간다. 그러나 조직을 떠나 세차장에서 일을 하는 진욱의 모습을 보며 행복을 느끼는 혜진의 꿈은 산산히 부서지고 만다. 진욱을 제거하기 위한 미끼로 혜진을 납치하자 진욱을 지켜보던 오형사에게 어김없이 체포된다. 그러나 얼마후 감옥에서 나온 진욱은 장팔봉 일당에게 처참하게 짓밟힌 아내 혜진이 목숨을 끊었다는 소식을 접한다. 복수의 일념으로 장팔봉을 찾아나선 진욱은 고전 끝에 그를 처단하고는 오형사에게 자수를 한다. 그리고 오형사는 어쩔 수 없이 진욱의 어린 딸 설아를 키우기로 하고 진욱의 수형의 길을 떠난다. 그렇게 해서 어린 설아는 오형사의 사랑으로 성장하고, 오랜 수형 생활속에서도 딸 설아를 만나겠다는 꿈을 안고 살아온 진욱은 드디어 출감하여 오형사를 찾지만 오형사를 친아버지로 알고 곱게 성장한 딸 앞에 나서지 못한다. 그리고 아내의 유골이 뿌려진 강변을 찾아 사랑하는 아내 곁으로 동반한다.　　从小开始就开始使用暴力，成长的陈旭，也会遇到孤独的惠珍，组建一个幸福的家庭，度过幸福的家庭。但是，在离开组织的过程中，看到镇旭的身影而感到幸福的惠珍的梦想破灭了。为了消除镇旭的诱饵，绑架了惠珍，并在观察镇旭的吴哥寺中被逮捕。但是，不久后走出监狱的镇旭接到了被一名壮士杀死的妻子惠珍死去的消息。怀着复仇的念头来到张八峰的陈旭在苦战中，对他进行了处女作。而且，吴哥死也不得不抚养镇旭的幼年女儿，并离开镇旭的秀亨。在这样的情况下，“小薛”成长为吴哥的爱情，而在长久的生活中，抱着“女儿”的梦想生活的陈旭终于出狱，找到了吴哥寺，但她却把吴哥寺视为亲生父亲，并在成长的女儿面前站不出来。而且，还有寻找妻子骨灰的江边，陪着相爱的妻子陪伴。

简介：剧情简介暂缺，敬请期待

简介：凡是口袋里有诡计的人，就会使用它。一本关于四个不太可能的地方的社会欺骗和诡计的选集。

简介：1981年，9岁的凯特生活在爱尔兰乡下的一个大家庭里，由于兄弟姐妹太多，她在家中一直被忽视。因为母亲马上又要生产了，凯特被临时送到远房亲戚的家里去过一个夏天。凯特意外地适应这个环境，在这里，温柔的夫妻俩让凯特学会了与自然相处，也学会了与安静的自己和解。然而，在这个安静的家庭里，还有一个悲伤的秘密。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：从越南逃出的John（任达华 饰）在哥哥的菲律宾货轮上帮忙，谁知哥哥却从事杀人越货的勾当，赚钱无数却血债累累。某日，货轮前往香港途中，遭遇一群被困海上的越南难民。船员假意搭救他们，却在难民上船后亮出屠刀。John认出当年好友Garry（周景扬 饰），拼死将其救下，Garry则在撞击中失去记忆。　　货轮在香港码头受到盘查，身份不明的Garry打伤警察，跳船逃跑，导致货轮被当局扣下。船长一众唯恐Garry吐露杀人越货内幕，派出船员寻找追杀。随后数日，码头接连发生多宗凶杀案。香港警队女督察（杨丽菁 饰）侦查得知与逃跑的Garry有关，立即展开追捕，却在这一过程中发现其中另有隐情……

简介：伊桑·霍克扮演一个前军队的牧师，他在儿子不幸去世之后始终沉浸在悲痛中，阿曼达·塞弗里德扮演的女主角是一个教堂成员，曾是个激进环保主义者，遭遇了丈夫自杀，于是两个受伤的人有了人生交集。

简介：该剧讲述神秘的主人洪子卖能够实现人们愿望的神秘零食，以及人们来到那里展开一段魔法般的故事。

简介：迪士尼终决定将其复兴的里程碑之作《小美人鱼》（The Little Mermaid）改编成真人歌舞片！这一消息是Deadline首先曝光的，据他们报道，迪士尼已经接洽过好几位重量级的制作人，他们不想输给环球公司，因为后者也在筹拍他们的真人版《小美人鱼》电影。目前迪士尼的真人电影版《小美人鱼》相中导演——他们的第一选择是刚与其合作了《欢乐满人间2》的罗伯·马歇尔(《芝加哥》《艺伎回忆录》《奇幻黑森林》)，已向他发出邀请。此前该片已邀来大红人林-曼努尔·米兰达和迪士尼传奇作曲家艾伦·曼肯创作新歌曲，而如今开始攻克导演，马歇尔已收到邀约。他将在年底假期花一段时间考虑，消息源称预计他会在过完新年后接下导演一职。