2号球衣

简介：该片讲述塔卢拉从一位不负责任的母亲那里偷得婴儿后，当起假妈妈。佩吉饰演的塔卢拉无家可归，吃睡住皆在一辆货车上。而在华盛顿广场公园的戏份中，佩吉开始溺爱地照顾窃来的婴儿。

简介：一次拼尽全力的抢救牵起两段命运的延续。两位花季少女的人生才刚刚开始,却要被死神按下终止键。两个家庭在这命运关头相遇, 现实的残酷和时间的紧迫,成为他们身上背负的沉重枷锁, 一个是为了女儿丁雁（艾米 饰）竭尽全力的父亲（王千源 饰），一个是为了女儿江晓鱼（黄杨钿甜 饰）变卖家产的母亲（谭卓 饰）， 他们不惜付出一切代价也要让自己的女儿活下去。在生死攸关面前，他们能否经得住人性的考验？在与时间抢夺生的希望之时，命运又会将他们带往怎样的深渊……

简介：大胆去闯，就是福尔摩斯精神。　　初尝破案滋味的艾诺拉·福尔摩斯（米莉·波比·布朗 Millie Bobby Brown 饰）意犹未尽，决定追随哥哥、名侦探夏洛克·福尔摩斯（亨利·卡维尔 Henry Cavill 饰）的步伐，设立自己的侦探社。她万万想不到，原来女侦探生意这么难做。她无可奈何地接受成人世 界的冷酷现实，打算关门大吉之际，身无分文的卖火柴女孩却找上门来。艾诺拉终于接到第一宗生意，受托为女孩寻回失散的姊妹。然而，这案件比她想像中复杂得多，艾诺拉更因此走进陌生之地，陷入险境。她去过伦敦阴森诡秘的工厂和绚丽堂皇的音乐厅，混入顶尖上流社会，甚至回到贝克街221B。艾诺拉意识到一场流血阴谋将要爆发，不得不急召朋友和哥哥夏洛克帮忙，助她脱离困局。这场侦探游戏又再刺激起来！

简介：中部地方のある新興工業都市Y。手塚二郎は、そこのミシマ・デパートに勤めていた。「出世がしたい。金がほしい」というのが彼の口ぐせだった。ある時、ドライブ・インで給仕をしていたはるみという女性と知り合った。二郎は、バー“爽で女の子をほしがっているのを知ると、はるみを“爽へ紹介した。“爽はミシマ・デパートの社長令嬢爽子の経営になるものなので、はるみを紹介して爽子の歓心を買うつもりだったのだ。はるみは二郎の下宿に寝泊りするようになった。“爽には鋳物会社の社長で岡という常連がいた。会社の経営状態が思わしくなく、あせる気持をまぎらわすため、酔いつぶれるほど飲むことがあった。二郎は、爽子に頼まれて岡を家まで送っていったが、そこで岡家の長男の未亡人・雅枝を知った。彼女を自分のために利用できると思い、近づいた。はるみは、爽子の勧めを断わりきれずに、石油会社の常務・本堂の世話になっていた。二郎は彼女の豪華なアパートで本堂に会った。そして、翌日は湖畔へのドライブに加った。爽子も一緒だったが、彼女のために二郎は技師だと偽っていた化の皮をはがされた。二郎は湖のボートで爽子を犯して復讐した。その時から、爽子との肉体関係が続けられた。岡が脳出血で倒れた。二郎は、雅枝を自分のものにすれば、いつかは鋳物会社も自分のものになると考えた。雅枝を温泉へ連れ出して結婚の約束をさせた。はるみは、本堂が東京の本社へ引きあげることになったので自由の身となり、二郎との結婚を考えてもいいと言った。しかし、二郎は鼻の先で笑うだけだった。岡鋳物会社が赤字のため石油会社に合併された。二郎にとって、雅枝は厄介な荷物にすぎなくなった。ヤケになった彼は、ちょっとした言葉のやりとりから上役と喧嘩し、デパートもクビになった。深夜、泥酔した二郎は“爽にいた。爽子に「あんたって女を食いものにするしか能のない男なのよ。だからいつまでも一生飼い殺しにしてあげるわ」と嘲笑された。二郎は突然笑い出し、いつまでも笑い続けていた。

简介：悍匪龙志强，在香港回归前，趁香港英政府不作为，而屡犯巨案，先后绑架富豪利家及雷家之长子，勒索超过二十亿元，事主怕被报复, 交赎款后都不敢报警。中国公安部极为关注，与香港警方合力，派香港警员何天卧底潜入龙志强犯罪团伙，发现他正策划绑架澳门富豪贺不凡，最终陆港警察合力勇擒龙志强，救出贺不凡。

简介：继2019年《我和我的祖国》、2020年《我和我的家乡》，国庆三部曲之《我和我的父辈》接棒定档2021年国庆。由吴京、章子怡、徐峥、沈腾导演，“中国电影追梦人”再次集结，以革命、建设、改革开放和新时代为历史坐标, 通过“家与国”的视角描写几代父辈的奋斗经历，讲述中国人的血脉相连和精神传承，再现中国人努力拼搏的时代记忆。

简介：砂砾 (1984)烈士的后代苏旺从部队复员后，放弃领导上照顾的机会，不顾未婚妻丁琴的反对，自愿到砂砾荒僻的塔里木沙漠当养路工。苏旺到沙梁道班时，这里只剩下大个子房玉树、小胖子古达和代理班长哈德尔。艰苦的劳动和严酷的环境在扭曲着道班工人的思想和性格。一心要回城的房玉树和古达越来越消沉颓废。他们成天喝酒、算卦，哈德尔则正忍受着失恋的折磨。在一次疯狂厮打后，房玉树和古达卷起行李回城了。他们走后，困难更大了，作为班长的苏旺咬牙硬挺着，拼命干活。负责给道班送水的女知青李曼把这一切看在眼里，并得知苏旺还业余搞路面板结试验，还买鲜花点缀道班房，不由对这条硬汉子产生了敬佩之心。丁琴来信与苏旺绝交，而此时哈德尔的女友来信要与他重归于好，苏旺为了成全他们，准了哈德尔的假。他自己却要一人顶四人的工作，寂寞、劳累时时在折磨他，苏旺终于支持不住，借酒浇愁，喝了个酩酊大醉。李曼冒雨给他送来热包子。并帮他指挥抢修公路。酒醒后，苏旺痛悔不已，暗自感激李曼。由于过度的疲劳和虚弱，苏旺昏倒在垫路劳动中，又是李曼背着他，把他送进医院。出院后，苏旺惊喜地发现哈德尔、古达都回来了。但李曼却冰冷地拒绝了苏旺的爱情，随后苏旺

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：半熟年纪，是人生最危险的时期…… 　从重案组被调往「明灯计划」的女警程姐（陈昭昭），其首项任务是辅导榕榕、大家乐和摇摇三位问题少女。 榕榕的姐姐蒽猪男友肥佬贩毒维生，引起警方注意....

简介：Hungarian director Deák, who won an Oscar for short film Sing in 2017, makes his feature debut wit

简介：故事发生在一座坐落于边郊的小镇之中，玛丽（布朗什·加丁 Blanche Gardin 饰）的生活并不富裕，一家人的主要收入来源都依靠丈夫的家庭津贴，玛丽人生唯一的希望就是她的儿子。然而，有一天，玛丽震惊的发现，自己的一段性爱录像竟然流出到了网络之上，她非常担心自己的儿子会看到这段录像。　　伯特兰（德尼·波达利德斯 Denis Podalydès 饰）非常爱自己的妹妹，而这个可怜的女孩正在遭受一段令她受伤颇深的网络暴力的骚扰。克里斯汀（科琳娜·马谢罗 Corinne Masiero 饰）是一名网约车司机，因为她在约车网站上评分太低而导致业绩低下。三个社会的底层人士，在某一日，他们突然发现他们糟糕的生活或许正是互联网和社交媒体造成的，于是三人一拍即合，决定为自己讨回公道。

简介：讲述一个爱情故事，设定在1980年代英格兰海滨小镇一间美丽的老电影院，展现人与人的情感联系和电影的魔力。