228
2.0

黑暗时代之无证妓女

导演:
陈耀明
主演:
陈颖妍,尹扬明,邓一君,罗兰,郑艳丽,张绮桐
别名:
未知
2.0
228人评分
粤语
语言
2001-12-20
上映时间
未知
片长
简介:
梁碧玉(张绮桐饰)误交损友阿莲,被阿威等人掳胁,拍下强奸过程,威胁玉往深圳当倡妓。玉的回母(罗兰饰)寻失踪孙女,在深圳遇上正真公安锋队长(尹扬明饰)。另一少女何少芬(陈颖妍饰)於潮州偷渡往香港,但不幸被禁锢当倡妓,并梁上毒癖。王国柱(回一君饰)是名大学生,为写有关妓女的论文往召妓,找上了阿芬,少芬求助於柱,国柱报警求助………
猜你喜欢
换一换
我和我的父辈
144
4.0
已完结
我和我的父辈
4.0
更新时间:06月29日
主演:吴京,章子怡,徐峥,沈腾,吴磊,黄轩,袁近辉,任思诺,韩昊霖,宋佳,马丽,洪烈,张天爱,李光洁,海清,陈道明,彭昱畅,欧豪,贾冰,李嘉琦,艾伦,常远,余皑磊,魏晨,陶虹,倪虹洁,张雨绮,焦圣祥,樊雨洁,张建亚,张芝华,张国强,宁理,胡可,沙溢,马书良,曹可凡,万茜,祖峰,张艺谋,李雪健,张小斐,杜江,李乃文,耿乐,吴昊宸,白那日苏,江水,逯长恩,张恒瑞,阿楠,吴昱翰,周庆昀,王成思,宋阳,李海银,龚毅星
简介:继2019年《我和我的祖国》、2020年《我和我的家乡》,国庆三部曲之《我和我的父辈》接棒定档2021年国庆。由吴京、章子怡、徐峥、沈腾导演,“中国电影追梦人”再次集结,以革命、建设、改革开放和新时代为历史坐标, 通过“家与国”的视角描写几代父辈的奋斗经历,讲述中国人的血脉相连和精神传承,再现中国人努力拼搏的时代记忆。
3816
2021
我和我的父辈
主演:吴京,章子怡,徐峥,沈腾,吴磊,黄轩,袁近辉,任思诺,韩昊霖,宋佳,马丽,洪烈,张天爱,李光洁,海清,陈道明,彭昱畅,欧豪,贾冰,李嘉琦,艾伦,常远,余皑磊,魏晨,陶虹,倪虹洁,张雨绮,焦圣祥,樊雨洁,张建亚,张芝华,张国强,宁理,胡可,沙溢,马书良,曹可凡,万茜,祖峰,张艺谋,李雪健,张小斐,杜江,李乃文,耿乐,吴昊宸,白那日苏,江水,逯长恩,张恒瑞,阿楠,吴昱翰,周庆昀,王成思,宋阳,李海银,龚毅星
欧洲的某个地方
32
1.0
已完结
欧洲的某个地方
1.0
更新时间:06月29日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
665
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
首页
电影片
连续剧
综艺片
动漫片
在线聊天