父亲

简介：俄罗斯黑帮头目伊琳娜（凯特·温丝莱特 Kate Winslet 饰）唆使一批腐败的警察进行了一起完美的银行抢劫行动，由于几人均身处警界内部，反侦察能力极强，因此想要查出案件的真相几乎是不可能的事情。然而，几人并不知道的是，真正的威胁并非来自警方的调查，而是有人正在虎视眈眈的盯着他们所得到的巨额报酬。　　此役之后，伊琳娜野心不减，殊不知几名警察在巨大的压力之下早已经矛盾重重，濒临崩溃的边缘。其中之一马库斯（安东尼·麦凯 Anthony Mackie 饰）不仅要面对内心的挣扎，还要应付那个初出茅庐正义感爆棚的菜鸟搭档克里斯（卡西·阿弗莱克 Casey Affleck 饰），敏锐的克里斯似乎已经开始察觉自己身边正在发生的事情。

简介：精神科医生试图在暴力攻击后，通过寻求修复一个新病人的生活，使他的生活恢复在一起，但他有自己的可怕的历史。

简介：大侠齐如丰将为救他而身亡的仆人方诚的儿子方刚（王羽）抚养成人后，欲立其为掌门人，此举引来方刚师兄的嫉妒。追求方刚不成的齐如丰的女儿齐佩联合师兄与方刚比武，却失手砍断方刚右臂，方刚负伤逃离齐家。　　只剩左臂的方刚被少女小蛮（焦姣）救下后一度意志消沉，但终在小蛮的鼓励下重获信心，凭借小蛮父亲留下的秘籍《左手图谱》练成“左手神刀”绝技。齐如丰的仇家笑面二郎和长臂神魔将齐的弟子系数杀尽，并囚禁了齐佩和齐如丰。顾及师恩，方刚决意不计前嫌助齐家一力。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：陈武雄嗜赌，在大家乐和六合彩的旋风中欠下赌债逼于无奈而打算卖女儿，儿子士豪知情，带着妹妹离家，投靠妈妈。却与妈妈同居人大吵携妹妹愤愤离去，兄妹二人流浪街头又遇人口贩子盯紧将捉妹妹——争斗随即展开……

简介：电视剧以宫城县牡鹿半岛一家临海意大利菜餐厅主厨为主角，讲述了东日本大震灾10年后当地的经济复苏及幸存者们的内心重建群像戏。

简介：这是一场永远不会结束的噩梦：一家人去海滩旅行，小劳伦·达利被陌生人绑架，神秘地失踪了。十年后，精神受了重创的劳伦被找回来......这个家庭被十多年前的这场悲剧不断地萦绕着。bym.yakubd.cc

简介：2030是个智能的时代，每个人身上都被植入了智能芯片。男主角克日什托夫曾是天才级教授工程师最亲来的助理，却在被植入智能芯片后失去了部分记忆，以新的身份“亚当”在一幢办公室里担任清洁工。有一天，他发现一个陈旧的电视机，这就是所谓的“魔术盒”，这将他与一位叫戈里娅的女人联系起来……

简介：故事发生在一家精神疾病疗养院中——梶木秀丸（笑福亭鹤瓶 饰）曾经因为杀害了母亲和妻子而被判处了死刑，却奇迹般的在行刑的过程中死里逃生、阿中（绫野刚 饰）曾经是平凡的上班族，却因为日益严重的幻听而遭人歧视，最终丢掉了工作人生一败涂地、由纪（小松菜奈 饰）身为女子高中生，却强烈的抗拒去学校，整天把自己关在房间里做家里蹲，最终被忍无可忍的父母送进了疗养院。　　形形色色的病患居住在这里，每个人都带着悲惨的过去，彼此之间却形成了一种类似家人却胜似家人的特殊联结，可是，一宗凶杀案的发生打破了这好不容易才形成的平衡。

简介：托尼（维果·莫腾森 Viggo Mortensen 饰）是一个吊儿郎当游手好闲的混混，在一家夜总会做侍者。这间夜总会因故要停业几个月，可托尼所要支付的房租和生活费不会因此取消，所以他的当务之急是去寻找另一份工作来填补这几个月的空缺。在这个节骨眼上，一位名叫唐雪莉（马赫沙拉·阿里 Mahershala Ali 饰）的黑人钢琴家提出雇佣托尼。　　唐雪莉即将开始为期八个星期的南下巡回演出，可是，那个时候南方对黑人的歧视非常的严重，于是托尼便成为了唐雪莉的司机兼保镖。一路上，两人迥异的性格使得他们之间产生了很多的矛盾，与此同时，唐雪莉在南方所遭受的种种不公平的对待也让托尼对种族歧视感到深恶痛绝。

简介：在失去家人之后，一名年轻女子在一个长期被疾病摧毁的世界中挣扎求生; 但是当一个孤独的旅行者在她的社区中为她提供一席之地时，她必须决定一个更美好生活的承诺是否值得信任他的风险。

简介：电影《归雁》讲述的是一名名叫“李雁雁”的盲人的真人真事。李雁雁，1965年出生于安徽省池州市。祖籍湖南。