威利和我

简介：影片《真爱留声》改编自本·沙特克所著的同名短篇小说，以第一次世界大战为背景，故事围绕两个年轻人展开：声乐学生Lionel（保罗·麦斯卡 饰）因故乡的一首民谣于酒吧同自称音乐史专业生的David（乔什·奥康纳 饰）相识。美国参战后，David前往欧洲战场，两人就此分离，原以为分开就是永别的Lionel于1919年收到了刚从战场返回美国的David的信件，David在信中邀请Lionel一起使用新型留声机记录下同胞的声音、民谣和生活，Lionel欣然前往，但在之后穿越美国的短暂时光中，两个人却被彼此深深改变。Lionel怎么也不会想到，此后同David的离别成了永别... 最终这一切背后的秘密在53年后的寄过来的圆筒唱片中被揭晓，在唱片里，爱人的声音再次响起，在二人初见时那首民谣《冷冬死寂夜》的歌声中，Lionel的万千思绪被带回53年前的那个秋天......

简介：本片改编自以山田风太郎的同名小说，由讲述为了解开里见家施加的诅咒而被命运吸引的8名年轻剑士们的战斗的《虚》，以及描写用28年时间写了180话的故事的作家泷泽马琴的真实故事的《实》两部分组成。役所广司饰演主人公马琴，内野圣阳饰演他的好友画家葛饰北斋。矶村勇斗马琴的儿子宗伯，黑木华宗伯的妻子·路，马寺岛忍饰演马琴的妻子·百，在《虚》部分掌握八犬士命运的伏姬由土屋出演。

简介：供职于五十岚流浪犬收容所的神崎彰司（堺雅人 饰）是一名真心喜爱动物的善良男子，此前他在动物园供职期间与妻子千夏（檀丽 饰）结合，生下一双可爱的儿女。妻子去世后，彰司转职收容所，虽然尽可能地帮更多狗狗找到新的主人，但仍无奈地一次次按下按钮，终结狗狗的生命。此时此刻， 他心中的悲伤可想而知。某天，彰司和同事遭遇了一只带着幼犬的母狗。母狗凶猛异常，为了保护孩子不惜一切。虽然遭到来自主管的压力，可是彰司无论如何不愿伤害狗狗母子。他想方设法延长收容期，四处奔走联系新的主人，在这一过程中也渐渐与母犬建立了信任。只是，最后一刻终将到来……　　本片根据发生在宫崎县的真实事件改编。

简介：17岁的英国孤女露西·格拉德威尔失去双亲后，遵照遗嘱漂洋过海，来到热带海岛上的橡胶种植园，投奔担任庄园主的叔叔乔治·休顿。这片风光旖旎的乐土看似是新生的归宿，实则处处是森严的规则与无形的枷锁。叔叔的严苛控制、阶层的巨大鸿沟，让她处处感到窒息。她与当地青年克里希纳暗生情愫，这场跨越身份与种族的禁忌之恋，彻底点燃了她与整个旧秩序的对抗。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：结婚多年的家昌（许冠杰 饰）与正男（郑文雅 饰）育有一女一子，两人分居后各自抚养一个孩子。不久夫妇二人各自有了新欢，唯有两个孩子希望能父母复合团聚，各施计谋戏弄对方的新欢，让他们知难而退。可是家昌与正男每次见面都会不欢而散，最终决定离婚。儿女十分难过，相约离家出走，要到外公提到的寺院祈求父母能复合。他们千辛万苦找到儿女，也听到了儿女的感人祈求，最后他们能不能破镜重圆呢？

简介：《青春儿女》的题材轻鬆感人，充分表现出年轻一代生活的愉aaa。在人生的历程上，年轻人朝气蓬勃，正像灿烂可爱的春天。《青春儿女》的编织正予人以一份欢悦，让观众亲切地重温年轻时期的生活，把生命的热力燃烧起来。活跃在《青春儿女》中的人们是可爱的，瞧吧：葛兰、林翠、陈厚、乔宏这些影星们，有歌有舞、有笑有玩，从课室闹到宿舍，从宿舍闹到郊外，每一个生活片段，就等于一阕青春进行曲中的音符，引人走向生命温暖的一面，构成了一幅人人喜爱的学府风光浮世绘。

简介：《太岁》是一部千禧年背景的都市志怪/民俗奇幻灾难故事。故事以中国和扶桑阴阳师斗法为核心，勾连了1932年和1999年两个时空，将扶桑阴阳术、玄岳宗道法、龙脉与后土信仰交织，讲述青年霍哲从打工者走向后土灵童的宿命。 千禧年沪城，青年霍哲为给久病的爷爷治病，入职神秘外资公司玉山集团。公司员工频发离奇失踪怪事，坠楼、诡秘地下 B19 空间、随处蠕动的血肉触手如影随行。霍哲结识暗藏身手的维修工老李、丈夫莫名失联的孕妇苏珊，三人暗中一同探查，发现大厦地下盘踞着不断吞噬活人的巨型血肉邪物，集团背后藏着跨越数十年的诡异阴谋。然而，霍哲年迈的爷爷总是刻意阻止他深挖幕后隐情。一段 1932 年的尘封往事，以及霍哲与生俱来的特殊宿命，正随血色灾难逐步浮出水面。

简介：剧情简介暂缺，敬请期待

简介：故事发生在上世纪20年代末，默默无闻的文学青年托马斯（裘德·洛 Jude Law 饰）来到了世界文化的中心纽约，他的兜里揣着他撰写的自传体小说，这本小说被一位名叫麦克斯（科林·费斯 Colin Firth 饰）的编辑相中了，要知道，麦克斯可是曾经挖掘出菲兹杰拉德、海明威等大文豪的伯乐。　　在对小说进行了大刀阔斧的改动之后，文本最终顺利出版，被取名《天使，望故乡》，小说一经出版，瞬间就点燃了文学界的热情，托马斯也一跃成为了圈内炙手可热的新星。之后，托马斯开始和麦克斯合作打造下一部作品，在此过程中，两人越发亲密的关系让托马斯的女友艾琳（妮可·基德曼 Nicole Kidman 饰）心中亮起了警灯。

简介：刑事案件侦察队队长林浩然和战友们受命将毒枭绳之于法，他们以大无畏的牺牲精神和高科技手段与毒枭们斗智斗勇，从蛛丝马迹中发现线索，不畏艰难，一举破获了海州市建国以来最大的毒品制造走私案，还我碧海蓝天。

简介：讲述了在大韩民国毒品板块和调查机关之间来回穿梭，围绕震撼毒品世界的内幕“野党”展开的故事。　　姜河那扮演了秘密向国家调查机关提供毒品世界信息的内幕“野党”李江秀的角色。柳海真将饰演出身底层的野心勃勃的检察官具关熙。朴解浚饰演执着的毒品调查队组长吴尚才，他抓住了一次的犯人， 将与柳海真一起形成三角格局，进一步提高剧情的紧张感。