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简介：1936年纳粹者发起全国青少年挑战阿尔卑斯山背面的活动,很多人都认为那是死亡之墙,但还是有2位德国青少年挑战,而最终失败的故事。 人们在雪山中发现了他们的尸体　其中一人手紧握攥着一个小页血书，上书“给我一套装备。我能爬到中国……”

简介：1898年，银矿工丹尼尔·普莱恩惟尤（丹尼尔·戴·刘易斯 Daniel Day Lewis 饰）因井下作业事故摔断了腿，但他因祸得福了解到秘密的石油信息。他利用领养的孤儿HW（狄龙·弗雷泽尔 Dillon Freasier 饰）欺骗乡民赢得了石油地盘，从此飞黄腾达。但是， 成为 石油大亨的他并不快乐，在一次意外事故中H.W不幸失聪， HW对他的怨恨与日俱增，他唯一认亲的兄弟居然也是冒牌货。传教士伊莱·桑迪不过是个借宗教蛊惑人心的小人。在一次采矿事故中，丹尼尔的工人不幸丧生。正当他希望伊莱（保罗·达诺 Paul Dano 饰）施以援手时，对方羞辱了他，两人从此开始明争暗斗……

简介：多比斯（罗宾·威廉斯 Robin Williams）主持的脱口秀节目非常犀利，能旁征博引言辞刺骨地把美国总统们讽刺一番，把听众乐得心花怒放。甚至有听众建议他不如参选总统，一展身手。　　多比斯的参选让他成为了草根阶层的代表，自然也获得了民众的大量支持。而且，多比斯拥有的杰出口才更是在辩论赛中占尽优势，令他在众多候选人中显得卓越不凡。大选结果让多比斯大为振奋——无背景无资历的他竟然以超过半数德票选获得总统之位。　　选举期间，统计票数的程序员埃莉诺（劳拉·琳妮 Laura Linney）让多比斯暗暗动心。正是这个姑娘，在关键时刻发现统计系统出错，选举结果其实源于一个BUG……

简介：40年代的美国，“教父”维托·柯里昂（马龙·白兰度 饰）是黑手党柯里昂家族的首领，带领家族从事非法的勾当，但同时他也是许多弱小平民的保护神，深得人们爱戴。　　因为拒绝了毒枭索洛索的毒品交易要求，柯里昂家族和纽约其他几个黑手党家族的矛盾激化。圣诞前夕，索洛索劫持了“教父”的参谋汤姆，并派人暗杀“教父”；因为内奸的出卖，“教父”的大儿子逊尼被仇家杀害；小儿子麦克（阿尔·帕西诺 饰）也被卷了进来，失去爱妻。黑手党家族之间的矛盾越来越白热化。　　年老的“教父”面对丧子之痛怎样统领全局？黑手党之间的仇杀如何落幕？谁是家族的内奸？谁又能够成为新一代的“教父”？　　血雨腥风和温情脉脉，在这部里程碑式的黑帮史诗巨片里真实上演。

简介：本片是由谷峰的经典电影，于1999年上映。

简介：自从一场乌龙绑架之后，被割伤脸的婉儿受到杨清音的温柔对待，洛颜也最终决定和大饼相濡以沫，而完全没事的小陌回来后,依然在竹下居欢乐自在，她并未察觉一位刚进入竹下居的名为白篱落的女子将和她发生怎样的争夺，争夺走爹爹留下的《药祖乾坤注》和她仰慕的居主苏沐扇。

简介：影片描述的是一个癌症同性恋患者为了让自己静心休养，同时追求自己的爱情，来到了瑞士艾门塔尔，在这里田园般的环境中，以求心灵的宁静，并重新燃起对生命和未来的希望。

简介：自小习咏春的妙兰与入序的唐傲育有一子南生。唐傲神秘身份为精武会英雄。唐傲在一次行动中发现洋人偷运国宝中国出境，唐傲寡不敌众，被西洋拳手狠狠打中头部，他连同大唐帝王玉玺跳海逃生。　　与此同时，数名洋人杀手找上妙兰一家。妙兰见状立即带同南生逃亡，到广东郭天的杂货铺找寻丈夫下落。　　头部受到的重击，使唐傲的记忆间歇性消失妙兰，南生到达郭天的杂货铺拿出密函，表明来意。郭天指唐傲是次行动失败，无人知晓唐傲去向。郭天建议妙兰南生暂时住在杂货铺。妙兰没有选择，只好答应。　　郭天计划捣破洋人偷运国宝的行动。行动期间洋人拳手在杂领铺出现捉走南生，震东阻止不到还受了伤。　　又廷妙兰完成任务得知南生被捉。妙兰大惊，要四出寻找儿子。唐傲刚好到达杂货铺，妙兰立即追问唐傲之前发生的事。唐傲未能立刻想起她是谁。妙兰激动差点把唐傲身上玉玺撞倒地上，唐傲情急还手，又廷上前阻止。　　唐傲又廷对打，战斗中唐傲功夫及记忆渐渐恢复。他终能叫出妙兰的名字。二人正式相认，唐傲知道儿子被捉。　　郭天用计叫又廷先救南生，最后南生和妙兰安然无恙，但唐傲生死未卜消失于火海。

简介：刑事案件侦察队队长林浩然和战友们受命将毒枭绳之于法，他们以大无畏的牺牲精神和高科技手段与毒枭们斗智斗勇，从蛛丝马迹中发现线索，不畏艰难，一举破获了海州市建国以来最大的毒品制造走私案，还我碧海蓝天。

简介：1998年纽约，纪录片导演艾瑞克（托尔·林德哈特 Thure Lindhardt 饰）在一夜情中邂逅未出柜律师保罗（扎克瑞·布斯 Zachary Booth 饰），互生好感的两人终究正式交往，从而开始了一段历经十年寒暑分分合合的爱情长跑。艾瑞克发现保罗有爱用毒品的习惯后并不排斥，偶尔还一起享用，但保罗的毒瘾渐渐发展至失控。当艾瑞克的纪录片斩获国际大奖却找不到爱人分享时，当他在酒店看到淹没在毒品和男妓中的男友时，艾瑞克痛苦的体会到，原来他对保罗的爱就像毒瘾一样沉沦无助。每一次争吵，每一次妥协，每一次拉扯都在透支和伤害着对方，直到原谅再也无法止住泪水……　　《点亮灯光》荣赝年度最伤心爱情电影，入围圣丹斯主竞赛单元，获第62届柏林电影节泰迪熊奖。电影有如一幅悱恻画卷，又如一封笑忘情书，细腻而真实的描绘了同志世界的各种甜蜜与苦痛。导演艾拉·萨克斯曾凭《蓝色的四十道阴影》获圣丹斯最高荣誉评审团大奖。此次他将自己的过往恋情以半自传形式拍成电影，希望能照亮同志世界的所有暗处角落——不留阴影。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：From the stage of the Royal Shakespeare Theatre in Stratford-upon-Avon, hosts David Tennant and Catherine Tate are joined by Benedict Cumberbatch, Judi Dench, Ian McKellen, Dame Helen Mirren, Meera Syal, David Suchet, Rufus Wainwright, Tim Minchin, Gregory Porter, Joseph Fiennes, English National Opera, The Royal Ballet and Akala for a very special evening.　　Together they mark the life and work of William Shakespeare on the 400th anniversary of the playwright's death. This unique event takes place in the presence of their Royal Highnesses the Prince of Wales and the Duchess of Cornwall and celebrates Shakespeare's extraordinary legacy and his enduring influence on all performance art forms - from opera to jazz, dance to musicals.