东风第一枝

简介：苏娜因母亲脑机手术死亡自责而抑郁，心理治疗中坠入意识循环。在男友家的诡异别墅里，她发现四人竟是自身心魔的化身，唯有直面愧疚才能打破轮回，完成自我救赎。

简介：本片改编自以山田风太郎的同名小说，由讲述为了解开里见家施加的诅咒而被命运吸引的8名年轻剑士们的战斗的《虚》，以及描写用28年时间写了180话的故事的作家泷泽马琴的真实故事的《实》两部分组成。役所广司饰演主人公马琴，内野圣阳饰演他的好友画家葛饰北斋。矶村勇斗马琴的儿子宗伯，黑木华宗伯的妻子·路，马寺岛忍饰演马琴的妻子·百，在《虚》部分掌握八犬士命运的伏姬由土屋出演。

简介：丽兹（拉妲·米契尔 Radha Mitchell 饰）和皮特（John Dore 饰）结婚多年，两人之间的感情一直都十分要好，他们非常渴望拥有属于他们的后代，可遗憾的是，这个想法一直都没能够实现。安迪（米歇尔·莫娜汉 Michelle Monaghan 饰）是丽兹最好的朋友，个性奔放的她在一次一夜情之后意外怀孕了，她决定生下这个孩子将他送给丽兹抚养，以圆好友的梦想。　　丽兹将这一消息告诉了皮特，没想到皮特的反应却并没有她想象中的那样开心，就在皮特半推半就的接受了这个孩子的同时，安迪就已经大大咧咧的住进了丽兹家中。不仅如此，皮特刚刚从戒毒所里出来的弟弟此时也搬进了丽兹家。

简介：一起致命意外牵起陌生故事的延续。赛门不知道，这个黎明会一去不返。赛门和好友三人于清晨逐海冲浪，尽兴出游换来回程的疲劳驾驶，酿成无法挽回的伤害。年纪轻轻的赛门，人生才刚开始，却因车祸陷入脑死，只能靠生命维持系统活着。就在赛门父母还难以接受事实的当下，医生勇敢告知，赛门的生命可以拯救其他垂危的性命，建议进行器官捐赠配对。同一时间在巴黎，一名深受心疾威胁的母亲正在等待心脏移植，赛门的心跳，将为这位坚强母亲注入重生的力量......

简介：Maggie (Serinda Swan) is a tough and ruthless member of the all-female Dark Moon motorcycle gang led by the merciless Trigga (Pollyanna McIntosh). After Maggie's cousin is attacked and drugged at a party, the gang rides out to take revenge into their own hands. The attackers, led by Keegan (Jake Lockett), don't see the fury coming and a war breaks out with Maggie and Brian (Diego Boneta) caught in the middle as both sides race towards a violent showdown to end it once and for all.

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：在一个大雨瓢泼的日子里，性格直爽的货车司机刘志广不慎发生车祸，撞死了行人吴宝琪。公司原本有意帮他推脱责任，不过刘志广敢作敢当，绝不干昧着良心的事情。他承认自己疲劳驾驶造成了事故，为此不惜四处举债赔偿死者家属，结果导致自家的生活陷入了窘境。与之相对，死者妻子张丽茹认为丈夫是因自杀而死，所以不想让刘家为了此事家破人亡。人心不古的当代社会，金钱利益让很多人丧失了灵魂。而偏偏却又那么一对执拗的男女，为了看似笨拙呆傻的人性道义，甘愿背负沉重的负担。正所谓天道酬勤，付出总有回报，刘志广和张丽茹以自己的言行印证着这句老话……

简介：几个小故事讲述不同小人物的生活。

简介：导      演王晓民　　编      剧王晓民　　主      演金戈印、刘宇佳、白国伟　　片      种故事片　　类      型儿童　　出品单位北京东方明星数字影视中心　　长      度90分钟　　出品年代2010　　　　剧情简介　　在我国广西与越南相望的北部湾，京族三岛如翡翠般镶嵌在蔚兰色的海面上，海边红树郁郁葱葱，岛上竹林青翠欲滴，婉转悠扬的独弦琴声有如天籁之音随风飘荡，每当朝阳升起或晚霞初现时，小岛上就会有成千上万只鹭鸟在空中飞翔欢叫。　　这美丽的地方并不平静，城里一些餐馆为了追求暴利，高价收购鹭鸟，供游客品尝野味，城里患有自闭症的六岁儿童毛毛父母的餐馆亦如此，毛毛耐不住父母整日争吵，出走了，好心的渔民老黎夫妇收留了他，在小岛上，毛毛有了城里不曾有过的经历，美丽的鹭鸟，成了毛毛的朋友。毛毛不仅有了笑容，还发出了声音，是学着白鹭哦哦的叫声。行为怪异的毛毛不被岛上护鸟的孩子们所接受，老黎的妻子阿霞告诉孩子们毛毛是在和鹭鸟说话……

简介：故事松散地基于斯皮尔伯格的人生经历，主要聚焦男主角的成长时期，以及他和父母的关系，其名字不叫史蒂文，但和其一样住在亚利桑那州凤凰城。斯皮尔伯格50年代末到60年代初住在凤凰城，他在面对反犹太主义的同时，也在用父亲的8毫米摄像机拍摄家庭电影和冒险电影。高中时期斯皮尔伯格一家搬到了加州，后来父母离婚，他和父亲一起居住，与父亲的紧张关系也成为他打造《E.T. 外星人》《铁钩船长》《侏罗纪公园》《林肯》《猫鼠游戏》等电影的灵感。

简介：根据导演自述本片是最“自传的”的作品。影片背景是20世纪30年代，人物包括温尼伯曲棍球队中一群好色淫荡的队员，另外还有一间“美容堕胎沙龙”里的雇员。曲棍球员盖尔神魂颠倒地迷上了拥有美貌的梅塔和她的母亲。梅塔一开始压抑着盖尔的情欲，直到一位医生将梅塔死去父亲的双手移植到盖尔手臂上，他的激情才得以...

简介：安吉拉（珍妮·盖诺 Janet Gaynor 饰）的母亲身患重病，急需药物进行治疗。生活在穷困潦倒之中的安吉拉无奈之下只能行窃救命，她的举动自然遭到了警方的通缉和追捕，安吉拉就此踏上了逃亡的旅途。　　途中，安吉拉来到了一个马戏团之中，隐姓埋名成为了其中的一名演员，这正好帮助她拜托了警方的纠缠。在马戏团中，安吉拉邂逅了名为基诺（查尔斯·法莱尔 Charles Farrell 饰）的年轻画家。基诺虽然有着一身的才华却依旧只是一个名不见经传的无名画家，安吉拉的出现激发了他的灵感，帮助他取得了事业上的成就，坠入爱河的两人决定结婚，但在婚礼举行之际，警方还是发现了安吉拉的踪迹。