与“Smith”相关的影片 共个
巴比龙1973
553
3.0
已完结
巴比龙1973
3.0
更新时间:06月29日
主演:史蒂夫·麦奎因,达斯汀·霍夫曼,维克托·乔里,唐·戈登,安东尼·泽比,伍德罗夫·帕弗雷,乔治·库鲁里斯,瓦尔·埃弗里,格雷戈里·西拉,维克·泰拜克,E·J·安德烈,兰-莱瑟,利亚姆·邓恩,彼得·布罗科,理查德·法恩斯沃斯,达尔顿·特朗勃,Robert Deman,Bill Mumy,Ratna Assan,William Smithers,Mills Watson,Ron Soble,Barbara Morrison,Richard Angarola,John Quade,Fred Sadoff,Alle
简介:绰号巴比龙的亨利·查理尔(史蒂夫·麦奎因 Steve McQueen饰)正要被流放到圭亚那一个名为“魔鬼岛”的苦役营终身服刑。查理尔因被控杀害一名皮条客而被捕入狱,可他始终认为自己是冤枉的。在押运船上,身强力壮的查理尔保护了一个带着眼镜狡猾的知识分子路易斯·德加(达斯汀·霍夫曼 Dustin Hoffman饰)。为了洗刷自己的罪名,查理尔从他踏上“魔鬼岛”的第一天起,就开始在德加的帮助下策划越狱逃跑。然而“魔鬼岛”地处荒蛮之地,四面环水,并且到处流行着可怕的疾病。查理尔一次又一次地逃狱,又一次再一次地被捉回。十多年来,他仍孤注一掷地抱着一袋椰壳跳下大海逃生。  美国经典越狱冒险剧情片《巴比龙》,根据法国囚犯亨利·查理尔于1969年发表的同名畅销书籍《巴比龙》改编而成。巴比龙是亨利·查理尔的绰号,绰号得名于他胸前蝴蝶形的纹身。本片荣获1974年第46届奥斯卡金像奖剧情类最佳原创配乐提名,并获得1974年第31届金球奖电影类-剧情类最佳男主角提名。
1992
1973
巴比龙1973
主演:史蒂夫·麦奎因,达斯汀·霍夫曼,维克托·乔里,唐·戈登,安东尼·泽比,伍德罗夫·帕弗雷,乔治·库鲁里斯,瓦尔·埃弗里,格雷戈里·西拉,维克·泰拜克,E·J·安德烈,兰-莱瑟,利亚姆·邓恩,彼得·布罗科,理查德·法恩斯沃斯,达尔顿·特朗勃,Robert Deman,Bill Mumy,Ratna Assan,William Smithers,Mills Watson,Ron Soble,Barbara Morrison,Richard Angarola,John Quade,Fred Sadoff,Alle
黑暗中的舞者
977
6.0
已完结
黑暗中的舞者
6.0
更新时间:06月29日
主演:比约克,凯瑟琳·德纳芙,大卫·摩斯,彼得·斯特曼,乔尔·格雷,卡拉·西摩,Vladica Kostic,让-马克·巴尔,文森特·帕特森,希博汗·法隆,泽利科·伊万内克,乌多·基尔,彦斯·阿尔比努斯,Reathel Bean,Mette Berggreen,Katrine Falkenberg,约翰·德拉斯,Luke Reilly,斯特兰·斯卡斯加德,Sean-Michael Smith,帕普丽卡·斯汀,Eric Voge,Al Agami,Anna David,Troels Asmussen
简介:在美国某个乡村工厂做工的捷克移民塞尔玛(比约克)天性善良,因患有先天性疾病,她的视线正日趋模糊。为了不让遗传了该病的儿子也将宿命继承,塞尔玛每日做工都很辛苦,不知情的好友兼同事林达(凯萨琳•丹妮芙)因心疼而好言相劝时,她总是报一微笑,因为她还有另一个纯粹属于音乐的世界,其间的美好与安静,足以抵挡现实的心酸与艰难。  令她欣慰的是,在眼睛要彻底变瞎之前,基本筹齐了儿子手术所需的费用,然而就在此时,意外发生,她的命运被加速推向复杂悲惨的境地。
4098
2000
黑暗中的舞者
主演:比约克,凯瑟琳·德纳芙,大卫·摩斯,彼得·斯特曼,乔尔·格雷,卡拉·西摩,Vladica Kostic,让-马克·巴尔,文森特·帕特森,希博汗·法隆,泽利科·伊万内克,乌多·基尔,彦斯·阿尔比努斯,Reathel Bean,Mette Berggreen,Katrine Falkenberg,约翰·德拉斯,Luke Reilly,斯特兰·斯卡斯加德,Sean-Michael Smith,帕普丽卡·斯汀,Eric Voge,Al Agami,Anna David,Troels Asmussen
荣耀六十年
199
6.0
已完结
荣耀六十年
6.0
更新时间:06月29日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
3864
1938
荣耀六十年
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
如何众叛亲离
987
2.0
已完结
如何众叛亲离
2.0
更新时间:06月29日
主演:Kelan Pannell,简妮特·斯科特,丹尼·赫斯顿,西蒙·佩吉,梅根·福克斯,吉莲·安德森,Kelly Jo Charge,Christian Maier Smith,凯瑟琳·帕金森,费莉西蒂·蒙塔古,坦迪·牛顿,约翰·莱特伯迪,伊恩 博纳,詹姆斯·柯登,费奈拉·伍尔加,克里斯·奥多德,杰夫·布里吉斯,米瑞安·玛格莱斯,娜塔莉·考克斯,克斯汀·邓斯特,山姆·道格拉斯,玛戈·斯蒂雷,伊莎贝拉·凯瑟尔佩,汉娜·沃丁厄姆,戴安娜·肯特,麦克思·明格拉,杰弗森·梅斯,阿什丽·曼德薇,利萨·麦克阿里斯特,简·
简介:西德尼·扬(西蒙·佩吉 Simon Pegg 饰)是个胆大包天、离经叛道的英国年轻人,他毕业于名校,出身高知家庭,却偏爱旁门左道——创办了一本名为“后现代评论”的杂志专门解构和讽刺明星名流,很不受人家待见。杂志濒临倒闭的当口,扬意外接到来自纽约知名八卦杂志的电话,请他过去上班。进入新坏境的扬依然坚持自己的原则,他不肯根据上流人士的意思改稿,和老板怒吼“新闻自由”,不肯去拍新锐导演马屁……不断挑战潜规则难免让他和周围的一切格格不入。职场磕磕绊绊中,扬和女同事阿里森(克斯汀·邓斯特 Kirsten Dunst 饰)产生感情,又受到新人女明星苏菲(梅根·福克斯 Megan Fox 饰)青睐。扬慢慢学会顺应规则,似乎融入这个上流社会,但内心仍有个真正的自己从未停止呐喊……  本片根据英国作家托比·扬(Toby Young)2001年出版的同名回忆录改编。
1954
2008
如何众叛亲离
主演:Kelan Pannell,简妮特·斯科特,丹尼·赫斯顿,西蒙·佩吉,梅根·福克斯,吉莲·安德森,Kelly Jo Charge,Christian Maier Smith,凯瑟琳·帕金森,费莉西蒂·蒙塔古,坦迪·牛顿,约翰·莱特伯迪,伊恩 博纳,詹姆斯·柯登,费奈拉·伍尔加,克里斯·奥多德,杰夫·布里吉斯,米瑞安·玛格莱斯,娜塔莉·考克斯,克斯汀·邓斯特,山姆·道格拉斯,玛戈·斯蒂雷,伊莎贝拉·凯瑟尔佩,汉娜·沃丁厄姆,戴安娜·肯特,麦克思·明格拉,杰弗森·梅斯,阿什丽·曼德薇,利萨·麦克阿里斯特,简·
荣耀六十年1938
329
7.0
已完结
荣耀六十年1938
7.0
更新时间:06月29日
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
3479
1938
荣耀六十年1938
主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
我们曾经是战士
702
10.0
已完结
我们曾经是战士
10.0
更新时间:06月29日
主演:梅尔·吉布森,玛德琳·斯托,格雷戈·金尼尔,山姆·艾里奥特,克里斯·克莱因,凯丽·拉塞尔,巴里·佩珀,丹阳,瑞恩·赫斯特,Robert Bagnell,马克·布鲁卡斯,乔什·多尔蒂,贾苏·加西亚,乔恩·哈姆,克拉克·格雷格,戴斯蒙德·哈灵顿,布莱克·赫伦,埃里克·麦克阿瑟,迪伦·沃尔什,马克·麦克拉肯,Edwin Morrow,布莱恩·泰,Sloane Momsen,贝拉米·扬,斯姆比·卡哈利,Forry Smith,Steven Nelson,Vincent Angell,基斯·斯扎拉巴基克,提姆·阿贝
简介:本片根据越南战争中的真实战斗改编。1965年11月,越南战争升级至美军直接参与战争阶段。驻越美军人数不断上升。摩尔中校(梅尔吉布森 Mel Gibson 饰)受命把一群新兵训练为真正的战士,部队中同时涌入不少随军家属,军人们扮演着丈夫与战士的双重角色,温馨的气氛中掺杂着丝丝不安。为了缓解单调的军旅生活,部队举办了大型晚会。出征的时刻到了,摩尔在典礼上庄严承诺“带回每一名士兵”。  摩尔与他的部队被空降在临近柬埔寨的河谷地带,这里是北越军的重兵所在,人数弱势的美军陷入了重重包围,伤亡惨重,最后在火炮、直升机的辅助下战局开始僵持。第二天,战斗推进到山丘但仍然无法突破包围,摩尔寻求空军帮助,由于双方距离过近,美军的汽油弹炸伤了部分地面部队。摄影记者乔(Barry Pepper 饰)记录下了战斗中一幕幕残酷的画面。第三天,美军正准备进行决定性的近身战斗,这时空军支援到位了,越军被全灭。
230
2002
我们曾经是战士
主演:梅尔·吉布森,玛德琳·斯托,格雷戈·金尼尔,山姆·艾里奥特,克里斯·克莱因,凯丽·拉塞尔,巴里·佩珀,丹阳,瑞恩·赫斯特,Robert Bagnell,马克·布鲁卡斯,乔什·多尔蒂,贾苏·加西亚,乔恩·哈姆,克拉克·格雷格,戴斯蒙德·哈灵顿,布莱克·赫伦,埃里克·麦克阿瑟,迪伦·沃尔什,马克·麦克拉肯,Edwin Morrow,布莱恩·泰,Sloane Momsen,贝拉米·扬,斯姆比·卡哈利,Forry Smith,Steven Nelson,Vincent Angell,基斯·斯扎拉巴基克,提姆·阿贝
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